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    This album was conceived and put together by Willy Schwarz. Most of the titles are the musicians’ own compositions. New stylistic elements have been added to traditional themes, and new lyrics written– resulting in something that is new and yet seemingly familiar to us.

  • Russian Soul

    9,90 

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    This series of initially four CDs provides us with new windows onto the music of our neighbours to the east. No mere rehashing of balalaika and other clichés, it tunes us into a wide range of temperaments and brings us closer to little-known musical cultures of the eastern world. Old melodies and new songs, all of them interpreted by outstanding musicians from the respective countries. A different mood prevails on each of the four CDs. From Russia we hear a hint of melancholy in music which moves us to the core. 

  • Polish Spirit

    9,90 

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    This series of initially four CDs provides us with new windows onto the music of our neighbours to the east. No mere rehashing of balalaika and other clichés, it tunes us into a wide range of temperaments and brings us closer to little-known musical cultures of the eastern world. Old melodies and new songs, all of them interpreted by outstanding musicians from the respective countries.   This CD invites you to travel with us to the heart of music from Poland.

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    Schwarz teamed up again with Senders to produce an even stronger expression of his brilliant poly-cultural sensibility. As a result, this album is a powerful cycle of songs reflecting the hopes and dreams of particular individuals: an old man’s nostalgia for the village culture of his youth, a dishwashing Mexican migrant’s lament, the reflections of an émigré taxi driver, or Schwarz’s own retelling of his parents’ immigration from Italy to the United States. 

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    Joachim-Ernst Berendt reads "Seelenlandschaften" (Soulscapes), spiritual poetry from the works of Rainer Maria Rilke, with music by Philip Catherine (guitar), Krzystof Zgraja (flute) and Vladislav Sendecki (piano). J.-E. Berendt regarded "Seelenlandschaften" (Soulscapes) to be the culmination of his numerous poetry and music productions.

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    This CD features lots of well known guest artists: Dhafer Youssef, Alegre Correa, Georg Breinschmid, Oleg Baltaga, Vladimir Volkov, Ney Conceicao, Robertinho Silva, Selio de Carvalho, Edcon “Caf” Da Silva, Adrian Mears, Jonathan Sass and Khakberdy Allamuradov. The title of the album comes from the eponymous composition by the Brazilian guitarist, Alegre Correa, who was so inspired by the Russian capital on first visit that he composed this piece on his way from the airport to the hotel.

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    On this album, Okay Temiz, one of the pioneers of world music in Europe, presents a blend of different music cultures with an unusual line up: trumpet, clarinet, kanun, drums and percussion. 

  • Nomansland

    16,00 

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    “Nomansland” tells a very personal story of slavery from the point of view of the African victims. Men, women and children speak of the terrible events and their consequences: imprisonment, separation, longing, homesickness, hope, resistance and finally the conscious resolution not to pity oneself but to set out to live the future. African and European musicians alike have participated in this production.

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    The very constellation of the ensemble- trumpet, three voices and bass- forces and allows new insight into each of the musical genres alluded to, typically labelled Tango, Jazz, Rap, Ethnopop, Belcanto, etc. The standard distribution of roles in the band has also come completely out of joint: The question 'Who is accompanying whom?' has become irrelevant. No-one is accompanying anyone, and everyone is accompanying everyone.

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    Mediterranea

    16,00  7,00 

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    The theme of the Florentine trio's twelve  compositions is the poetry of the Mediterranean countries, half of it by pre-19th-century female poets. As always, all of the sounds heard on the CD are produced exclusively by the three musician's voices.

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    This album gathers melodies from the earlier Sephardic tradition. Medieval Spanish romances and Arabic-Andalusian songs illustrate the preservation and further development of the Sephardic musical culture after its originators, the Spanish Jews, had been expelled from Spain. With the soloists Fadia el-Hage from Beirut und Belinda Sykes, London.

  • JAZZY WORLD

    9,90 

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    A cross section of the jazz regions in the JARO collection, of interpreters from different corners of the world and their diversity of programmes: Jasper van't Hofs PILI PILI, TOSHINORI KONDO, Mikhail Alperins Moscow Art Trio, Tam Echo Tam, Charles, Piirpauke and others. Titles from JARO's first LPs and its most recent CD productions, side by side. High in quality. Timeless. Captivating.

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