• Earborn

    10,00 

    Audio-Play comprising various material on "descending angels" and the "singing of the soul", forming a myth of the origing of mankind. Conceived by the Korean writer and performance artist Grace Yoon and the German musician Roman Bunka and realized with the co-operation of the Florentine vocal trio Trinovox, the Dutch avant-garde singer Greetje Bijma, and the overtone singer Albert Kuvezin from the Southern Siberian republic of Tuva. A production of the Bayrischer Rundfunk, Munich.

  • Hamlet

    16,00 

    After a year of research Jaro Medien has managed to discover missing tapes in Russia which document Hamlet Gonashvili’s solo parts, in order to produce a collection of his most impressive songs.

  • Hoomba Hoomba

    20,00 
    Nur noch eine CD auf Lager!
  • The Violin Man

    16,00 

    This CD includes a Jazz quartet playing original compositions by Beckmann and also music composed by Chic Corea, Gary Mulligan, Pat Matheny. The quartet is composed of the following instruments: violin, double bass, piano and drums.

  • The album continues the‘stringed experiments’ of Di Matteo. Here, the artist presents compositions  for bandoneon and string quintet, recorded with soloists from the symphonic orchestras in Montevideo. 

  • This album marks the last of a series of CDs  to come about spontaneously and nearly by chance. It was recorded during the tour in January 1995 and comprises more jazzy grooves. Pili Pili defines its own standard of jazz: raw, personal, stubborn, always inspired by rhythm and groove, fantastic for dancing.

  • Bulgarian Voices – Angelite offers to the listener an excellent interpretation of Christmas songs. The variety of styles represented by the music in this release opens new prospects for creativity, thus, making different musical worlds meet far apart in time yet close to the spiritual makeup of contemporary man. 

  • “Hopsasa” is the re-issue of their first ever recorded album. It is an invitation to “Hopsasa Classic Polo” featuring only traditional songs from the heart of Poland. The record was considered the folk album of 1998 by the listeners of Polish Radio 3 and the rebellious magazine Brum. 

  • Yet it is not improvisation as can we know it in jazz music, which is involved here. The criteria that rule over traditional Moldavian music - and more generally, the music of the Balkans - are much too fundamental to be questioned. It would therefore be more appropriate to talk of a spiritual re-appropriation, as if the interpreter´s soul enlightened the ancestral oeuvre despite himself. It is indeed a classical attitude: that of liberty expressing itself within a strict framework

  • NeverNeverLand

    16,00 

    The album represents the debut of the HotLips band. Mirroring the experience gained in group projects such as Pork Pie and Eyeball, the result is both a review of the past and a glimpse of the future – a kind of fusion of “modern composing”. The charm of the new constellation lies in the electro-acoustic design of the concept. Powerful and sophisticated passages for brass are enhanced by lyrical, challenging solos and funk.

  • Mountain Tale

    16,00 
    The CD marks the second collaboration of Angelite with Huun-Huur-Tu and Mikhail Alperin. The latter’s arrangements leads listeners on a journey of discovery through similarities and differences of Russian, Bulgarian and Tuvan folklore, culminating in the fusion presented on this CD.
  • Sale!

    Retrospectivo

    16,00  10,00 

    Retrospectivo is a musical overview of Luis Di Matteo’s compositional work in the period from 1976 to 1999, featuring characteristic examples from his repertoire.

  • This album comes as a result of Jasper Van’t Hof”s first collaboration with South African musicians. Having discovered the young Zulu choir Phikelela Sakhula in Durban, Van’t Hof made recordings with them and invited them to Europe for a concert tour.

  • After Sunset

    16,00 

    Thousands of people have seen the Bulgarian Georgi Petrov - one of the world's finest gadoulka players - on the stages of Europe without realising who he really is: The musician, arranger and composer of Sofia is a leading instrumentalist in the popular dance show Riverdance. A number of his talented Bulgarien "Friends" contributed on this recording.

  • And what if the "Black Slavics" really had been deported to Russia and founded a new style of music whose influence continued to be felt down to the present?

  • Karsilama

    10,00 

    “The sound of the zurna, one of the oldest instruments in the traditional music of the Middle East, has a rough, primeval character. Not only is the zurna difficult to play and keep in tune, it is also very loud, often making it unpopular among its player’s fellow musicians. On the other hand, it is especially effective in combination with drums such as the davul-darbuka, a double-skinned drum. Together, the zurna and the davul are the two most important instruments for the musical accompaniment of traditional weddings, dances and circumcision ceremonies” (Okay Temiz)

  • Oh! That Cello

    16,00 

    All tracks are compositions by Charlie Chaplin for cello and piano, including the word famous "Limelight". Recordings after the original manuscripts, played according to Chaplin's original manuscripts.

  • Mercy For The Living  is a homage and back to rootsexperience of the Bulgarian Voices Angelite to Christianorthodox music from the 10th to 20th century. The album comprises liturgical chants for women’s choir and male vocalist.

  • Best of …

    16,00 

    The “Best of” album is a CD full of punchy Pili Pili hits that includes the world hit “Pili Pili” which gave the group its name. Listening to this CD will mean rediscovery of the familiar for some and new discovery of the surprising for others. However, in either case, the arrangement of the titles goes into making the experience one of pure pleasure.

  • Danse Gothique

    16,00 
    Music by Satie & Machaut
  • This album represents an amazing musical trip by Di Matteo to the roots of tango– the African-based rhythms of Candombe. In Uruguay the descendants of  slaves danced to this rousing music with pronounced hip movements. Candombe is played on three drums: the “Piano” (low register / bass), the “Repique” (medium register/tenor) and the “Chico” (high register/alto). 

  • This CD presents early Christian chants composed and interpreted by women. The songs range from the Arabic-Christian tradition of Syria and Lebanon in the first centuries after Christ to the rather unknown compositions by Kassia of Byzantium to those of Hildegard von Bingen and music from the cloister Las Huelgas in northern Spain.

     

  • These 'Street Stories' transformed Dona Rosa  from a mere Fado street singer to a real stage performer.