• Lale Li Si

    16,00 
    his album is a edited best-of version of the double CD Melody, Rhythm & Harmony.
  • Small classical pieces for the cello

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    Sanson Ki Mala

    16,00  10,00 

    The magnificent voice of Qawwali. Traditional music of the Islamic Sufi-brotherhood. Expressive singing accompanied by harmonium and tablas. In 1995 NUSRAT FATEH ALI KHAN received the prestigious International Music Prize of the UNESCO.

  • Earborn

    10,00 

    Audio-Play comprising various material on "descending angels" and the "singing of the soul", forming a myth of the origing of mankind. Conceived by the Korean writer and performance artist Grace Yoon and the German musician Roman Bunka and realized with the co-operation of the Florentine vocal trio Trinovox, the Dutch avant-garde singer Greetje Bijma, and the overtone singer Albert Kuvezin from the Southern Siberian republic of Tuva. A production of the Bayrischer Rundfunk, Munich.

  • Hoomba Hoomba

    20,00 
    Nur noch eine CD auf Lager!
  • The Violin Man

    16,00 

    This CD includes a Jazz quartet playing original compositions by Beckmann and also music composed by Chic Corea, Gary Mulligan, Pat Matheny. The quartet is composed of the following instruments: violin, double bass, piano and drums.

  • Yet it is not improvisation as can we know it in jazz music, which is involved here. The criteria that rule over traditional Moldavian music - and more generally, the music of the Balkans - are much too fundamental to be questioned. It would therefore be more appropriate to talk of a spiritual re-appropriation, as if the interpreter´s soul enlightened the ancestral oeuvre despite himself. It is indeed a classical attitude: that of liberty expressing itself within a strict framework

  • After Sunset

    16,00 

    Thousands of people have seen the Bulgarian Georgi Petrov - one of the world's finest gadoulka players - on the stages of Europe without realising who he really is: The musician, arranger and composer of Sofia is a leading instrumentalist in the popular dance show Riverdance. A number of his talented Bulgarien "Friends" contributed on this recording.

  • Karsilama

    10,00 

    “The sound of the zurna, one of the oldest instruments in the traditional music of the Middle East, has a rough, primeval character. Not only is the zurna difficult to play and keep in tune, it is also very loud, often making it unpopular among its player’s fellow musicians. On the other hand, it is especially effective in combination with drums such as the davul-darbuka, a double-skinned drum. Together, the zurna and the davul are the two most important instruments for the musical accompaniment of traditional weddings, dances and circumcision ceremonies” (Okay Temiz)

  • Oh! That Cello

    16,00 

    All tracks are compositions by Charlie Chaplin for cello and piano, including the word famous "Limelight". Recordings after the original manuscripts, played according to Chaplin's original manuscripts.

  • This album comes as a result of Jasper Van’t Hof”s first collaboration with South African musicians. Having discovered the young Zulu choir Phikelela Sakhula in Durban, Van’t Hof made recordings with them and invited them to Europe for a concert tour.

  • This album represents an amazing musical trip by Di Matteo to the roots of tango– the African-based rhythms of Candombe. In Uruguay the descendants of  slaves danced to this rousing music with pronounced hip movements. Candombe is played on three drums: the “Piano” (low register / bass), the “Repique” (medium register/tenor) and the “Chico” (high register/alto). 

  • These 'Street Stories' transformed Dona Rosa  from a mere Fado street singer to a real stage performer. 

  • With Mozart’s “Rondo Alla Turca” at its core, this production encompasses early instances of a fascination with things exotic, an attitude based on the equation of the exotic with the promise of great happiness.

  • a cappella

    16,00 

    Multicolored, poetical, inventive, and literally without boundaries, two men and two women clearly dare to compete in the land of Zap Mama. Of French, Guayanese, Morrocon and Zairese extraction, TAM 'ECHO' TAM rely on their solid mastering of vocal expression to create an eclectic repertoire bringing in elements from gospel, jazz, African roots-music, French chanson and American folk-bop.

  • In painting, the interaction between impressionism  and the Japanese Ukiyo-e woodblocks has already been acknowledged. On this CD, Kayoko shows us that the time has come for music to connect the knots. This comparative analysis will leave everybody senseless – “[...] one must just listen. Absolutely fascinating!” (Piano News).

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    C-Funk

    16,00  9,90 

    C-Funk: a mix of Jazz, Rap and Soul. Universal dance music for the global village or in other words rap, jazz and soul singing as a true synthesis of styles. CHARLES calls his music 'c - funk' - 'c' for cosmo-creative-celebration and other alliterations. A music that need not shy away from international comparisons. 

  • en-Core

    9,90 

    A first-class disc, fully play joy and style-covering openness which has got in any regard entertaining and demandingly at the same time. Universal dance music for the global village or in other words rap, jazz and soul singing as a true synthesis of styles. Charles calls his music ‘c – funk’ – ‘c’ for cosmo-creative-celebration and other alliterations. A music that need not shy away from international comparisons. 

  • Classics

    16,00 

    A capella, negro spirituals, traditionals and other songs. Gospel for beginners - an ideal introduction.

  • Life Road

    18,00 

    Okay Temiz together with his Oriental Wind project presents a colorful fusion of world music rooted in jazz rock of the early 1980s. Here, Oriental Wind shows its fiery brand of Turkish folk-beat with a savour of Africa. The dynamic ensemble is incisive as the group unfolds their magic folk melodies. 

  • All tracks are compositions by Charlie Chaplin for cello and piano, including the word famous "Limelight". 

  • The album is a live performance of the Farlanders featuring Sergey Starostin in Bremen (Germany). The Weser Kurier review read: “[…] In the folk song arrangements and compositions by Zhelannaya and Kalachev, a delicate, sometimes even playful balance between the traditional and the modern is always perceivable. This makes the music of the Farlanders an original and refreshing experience – far beyond folk music pepped up with pop ingredients.”

  • Journey

    16,00 

    In Scottish Edinburgh, the grandiose singer of the Moscow Art Trio, Sergey Starostin, made this impressive recording with four highly unusual female voices, using no instrumental accompaniment whatsoever. It is not an ordinary collection of songs. The album consists of just one composition, in which Russian and Bulgarian traditions are blended together in a surprising new way. Mikhail Alperin, the musical director, managed to  combine four folk-songs from both Russia and Bulgaria with different story lines into a whole. As a result, “Journey” is sound healing for overburdened, overworked minds – in other words, for almost all of us.