• Zhyli-Byli

    16,00 

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    The album was recorded during a concert in Moscow, 2008. It is a collection of pure melancholy evolving around such topics as how women endure war, death and revolution. The back cover with a samovar in the middle is emblematic for the concept of the album.  As Far From Moscow Magazine (Russia) writes: “Everything that’s said or sung revolves around a kitchen table. It’s the only safe haven in a land where, sooner or later, people will start ‘leaving and heading far into the distance/A long way off and far away/Once and for all – straight into the distance.’ ”.

  • Zerenade

    16,00 

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    "This is world music... a sound that is truly different from anything you have heard from anyone of those places before... all though it are European folk melodies and harmonies that make it stand out from the crowd of Euro-ized Afro-pop records." (Dirty Linen, USA)

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    The magnificent voice of Qawwali. Traditional music of the Islamic Sufi-brotherhood. Expressive singing accompanied by harmonium and tablas. In 1995 Nusrat Fateh Ali Khan received the prestigious International Music prize of the UNESCO.

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    The recordings for this production convey the innovative energy of young musicians seeking independence and expression. This project helped the musicians involved (Mari Boine, Sergey Starostin, Inna Zhelannaya, and The Farlanders) to establish their positions, find their directions and absorb new ideas. ‘Winter in Moscow’ is a unique document of this turning point, this new beginning, this departure of different but kindred careers in a new, young Europe.

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    An extraordinary  musical project inspired from songs and rhythms of Western China and Central Asia, using opera structures with folk songs and the musician’s own compositions and adaptations.

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    This CD is of particular interest because it marks the first time the Moscow Art Trio worked with an orchestra. The album was recorded with the Norwegian Orchestra (artistic director– Terje Tønnesen). Mikhail Alperin referred to the compositions as music for an imaginary ballet in six pieces that fantasize on the rural topic. The sources of inspiration are multiple ranging from Sergey Paradjanov’s movies,weddings and Indian Raga.

  • Uprooting

    16,00 

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    The title “Uprooting” – “Wykorzenienie” is intended to provoke, taking us to a similar place as the Rastafarian “upliftment”; in other words, a kind of spiritual attachment emerging from the very roots of musical culture. 

  • upmixing

    16,00 

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    In response to countless requests from the world’s DJs, this CD was produced with the consent of the musicians. The band’s only condition was that it should be a Reggae remix album on the basis of their last studio CD “Uprooting”. This CD climbed to fifth place on the European and first place on the German world-music charts, is meanwhile to be found in the Polish pop charts and whets your appetite for the new studio album “Infinity”.

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    In Chamber Groove through South Africa. The title “Ukuba noma Unkungabi”points to South Africa, where Pili Pili had already found new musical nourishment in 1999 when the band cooperated with the Phikelela Sakhula Zulu Choir. It was that ensemble which brought forth the singer Smangele Khumalo, Pili Pili’s lead voice on the new CD. Otherwise the new constellation has a different sound, mood, and  more chamber-music-like style.

     
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    This series of initially four CDs provides us with new windows onto the music of our neighbours to the east. No mere rehashing of balalaika and other clichés, it tunes us into a wide range of temperaments and brings us closer to little-known musical cultures of the eastern world. Old melodies and new songs, all of them interpreted by outstanding musicians from the respective countries. A different mood prevails on each of the four CDs. Turkey draws from the old musical collections of the Osmanic period, while also presenting us with elements astonishing and new. 

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    Piirpauke's most African CD with the popular Senegal guitar player Badou N'Djay, co-founder of the famous Etoille de Dacar. 

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  • The Wild East

    16,00 

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    Compositions enspired by the Karelian (Finish) national epic poem Kalevala.

  • The Violin Man

    16,00 

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    This CD includes a Jazz quartet playing original compositions by Beckmann and also music composed by Chic Corea, Gary Mulligan, Pat Matheny. The quartet is composed of the following instruments: violin, double bass, piano and drums.

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    A collection of vocal music with Sarband, Trinovox, the Bulgarian Voices ANGELITE , Mikhail Alperin, Sergey Starostin, Huun-Huur-Tu, Hamlet Gonashvili and others. " [...] a competent introductory aid in opening one's ears for the heart-moving music of human voices from Southeast Europe and Asia." (Jazzthing/Blue Rhythm)

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    “Mr. Daley, for what it’s worth, your album was one of the highlights of my year. ‘The Seven Deadly Sins’ is a masterpiece.” (Guy Peters, Boleuzia Magazine)

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    This is the first  CD of Russian folk-jazz ensemble Farlanders(Moscow) featuring Sergey Starostin.

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    Muscovite jazz French horn, Arkady Shilkloper, put together three excellent musicians for this recording, and all three of them are Siberian residents! This Moscow-Siberian team plays music that is very difficult at first sight but lets everybody go in and explore the same emotions that drove the band when they played this kinky spontaneous music.

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    The Black Slavics

    16,00  5,00 

    incl. 19% VAT

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    And what if the "Black Slavics" really had been deported to Russia and founded a new style of music whose influence continued to be felt down to the present?

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