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    This is the first  CD of Russian folk-jazz ensemble Farlanders(Moscow) featuring Sergey Starostin.

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    The album is a continuation of the Moscow Art Trio’s aesthetic concept, which provides for equal participation of Arkady Shilkloper, a horn player with a background in classical music, the folk singer and clarinetist Sergey Starostin, and Alperin, who refers to himself as “a kind of improvising pianist”. Together they allow for the sense of pleasure, humor and technical brilliance to come into our ears.

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    Avantgarde Rock. Bits of Brecht/Weil with elements of Rock and Jazz along with witty tongue-in-cheek lyrics and the expressive voice of  "the Volz" provide an anarchistic listening enjoyment.

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    This CD is a legendary recording of the concert in the church “Unser Lieben Frauen” in Bremen, Germany (December,1987).

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    An experimental pop CD topping No. 1 in Italy as well as nominated for a Grammy in the USA.

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    This album is a recording of a fascinating concert from the Nidaros Cathedral of Trondheim in Norway (March, 1993).

  • The Wild East

    16,00 

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    Compositions enspired by the Karelian (Finish) national epic poem Kalevala.

  • Sparta

    16,00 

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    The debut album "Sparta" comprises two art forms– music and painting. Johannes Cernota plays piano music of Erik Saite, Arvo Pärt and Chick Corea’s children songs.  In addition, the CD contains some original piano work by Cernota– Sparta. 

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    Classical 6-string guitar. Pieces originally written by Bach for the Baroque lute, transcribed by Christian Kaiser for the 6-string guitar.

     

    ONLY 2 CDS AT STOCK !

  • Jakko

    16,00 

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    Feat. ANGELIQUE KIDJO.
  • Tango

    16,00 

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    This CD comprises the first two albums recorded by Luis Di Matteo in Germany ― Tango Contemporáneo and Le Dernier Tango. Here, the bandoneon, oboe, double bass, piano and drums are enrolled to serve the soothing style of Tango Nuevo. The compositions for Tango Contemporáneo have all originated in Montevideo (Uruguay), whereas Le dernier Tangocontains three works composed by Di Matteo in Detmold (Westphalia Region, Germany).

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    This is Di Matteo’s first album with solo bandoneon compositions. When listening to this album, the listener cannot help but notice the unusual mastery enabling Luis to make his instrument, often designated as a clumsy one, sound “like a whole orchestra”.  All of a sudden, the bandoneon becomes the true voice of tango for us.

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