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Catalog 2009

Sarband

"Alla Turca – Oriental Obsession" - 2001

Order number: 4237-2

Price: EUR 16.00

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RealClick on one of the left icons to hear a short piece of a song as MP3.
WMAClick on one of the right icons to hear a short piece of a song as WMA.

  Title Time
1.  Rondo alla turca (bearb.)
Mozart, Wolfgang Amadeus  
2:17
2.  Elci Pesrev
Cantemir,Dimitrie  
3:31
3.  Izanum
Donà, G.B.  
1:11
4.  Chanson turque
Blainville, Charles Henry  
3:42
5.  Acem Ilâhi
Bobovsky, Wojciech / Ufki, Ali  
6:12
6.  Hicaz Son Yürük Semai (Concerto turco)
Toderini, G.B. / Traditionell  
7:41
7.  Rondo alla turca (bearb.)
Mozart, Wolfgang Amadeus  
1:05
8.  Busis derdim
Donà, G.B.  
4:46
9.  Rondo alla turca (bearb.)
Mozart, Wolfgang Amadeus  
1:04
10.  Hüseyni Ilâahi
Bobovsky, Wojciech / Ufki, Ali  
7:24
11.  Allahoy
Isaac,Heinrich  
3:14
12.  Perdeh
Chardin, Jean  
1:31
13.  Der Deste
Traditionell  
4:58
14.  Psalm 6
Bobovsky, Wojciech  
5:26
15.  Hasta ghiringium
Donà, G.B.  
3:05
16.  Hüseyni Pesrev
Murâd, Sâh  
6:31
17.  Rondo alla turca
Mozart, Wolfgang Amadeus  
1:09
18.  Psalm 2
Bobovsky, Wojciech  
13:30

With Mozart’s "Rondo Alla Turca" at its core, this production encompasses early instances of a fascination with things exotic, an attitude based on the equation of the exotic with the promise of great happiness. European interest in Turkish music can be traced back to as early as the sixteenth century. It was in the seventeenth and eighteenth centuries, however, that "Turkish" music became really popular — in the "turqueries," exotic-sounding passages included in many operas. The album defines the historical point in time at which popular interest in non-European music was aroused for the first time: The perception of the world was no longer limited to Europe. "Alla Turca" presents unusual European translations of "Oriental" music. In Mozart’s famous "Rondo Alla Turca" motif, the lively confusion of exotica seems sort itself out, its pieces falling into place in a "rondo" of the strange and the familiar.

"Powerful sounds from Ivanoff: Shades of baroque, Turkish dervish music and the Orient, never mind the occasional Mozart, make this a disc worth a listen. This is a car accident (of Oriental and Occidental history thrown together), and we all stare at those as we drive by." (JAM, February 1999)

 
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