JARO

Since our founding in 1981, over 200 CD productions have been released on our record label, likewise called JARO. Among them are a number of albums which have been distinguished with music awards. The women’s choir Bulgarian Voices Angelite, for instance, was nominated for the Grammy in 1993, in 1995 Nusrath Fateh Ali Khan won the international music prize of the UNESCO, the Warsaw Village Band was honoured with the BBC World Music Award in 2004, three times with the Polish equivalent of the Grammy Award – FRYDERYK Award, and the German record award- Preis der Deutschen Schallplatten Kritik (Besten Liste 2012). In addition, Hazmat Modine was awarded the French award “Grand Prix de l’Académie Charles Cross” in the “Blues” category and has been in the World Music Charts Europe (WMCE) Top. No.1.

Music Production

In the course of our 32-year history and more then 200 music releases, JARO has always been distinguished by its broadmindedness with regard to style, thus producing: jazz, classical music, European-Arabic music of the Middle Ages and the Renaissance, world music, pop and a number of projects that defy classification in the usual categories. This attitude goes hand in hand with a conspicuous willingness to take risks and the very stubborn pursuit of an individual profile which hardly takes recourse to popular trends – but sometimes anticipates them! Each year from hundreds of emerging projects, JARO’s rooster camp is picking only one that we think will have a novel impact on the world music scene –”JARO’s Artist of the Year”. Only  in this way, we can assure the passion and heartedness into effectively promoting the artist.

Publishing

Every year, JARO purposely publishes only a limited number of products – the products we can identify with. Our motto is: qualitative diversity. From the start, JARO has always placed itself entirely at the service of music and the musicians, setting its stakes on continuity: We have been working with many of our artists for more than twenty years. JARO is also cooperating with sub-publishing companies from different territories.

Booking

We act as a booking agency only for the artists that are releasing with JARO Medien Label. Our main focus is Europe. In other territories, we are working together with sub-agents. All in all, JARO organizes between 200 and 250 concerts and festivals a year. The geographical span includes: Germany, Austria, France, Netherlands, Italy, Spain, Portugal, Poland, Czech Republic, Russia, Finland, Belgium etc. Additionally, we have very close relationships with Polish and Russian promoters. JARO is only booking concerts for the artists we produce.

Music for Soundtrack

Music rights clearance is our business. Our job is to help you get the music you want. Our catalogue  includes more than 50 artists adding up to over 1500 titles available for licensing worldwide. These cover diverse genres like: jazz, tango nuevo, world music, choir, a cappella,  rock, classic, classical crossover, blues, gospel, fusion, rap etc. Among them are world renowned artists such as: the Grammy nominated Bulgarian Voices Angelite, the BBC award winning Warsaw Village Band, the UNESCO international music prize  Nusrath Fateh Ali Khan, the famous Tuvan throat singers Huun-Huur-Tu and many more. For more information please click here.

Online Shop

The online shop counts more than 250 CDs. These can be shipped  by us  in CD format or  acquired by you digitally through Amazon’s, iTunes’ and other distribution channels (more than 150 online shops all over the world). The CD usually comes with a nice digi-pack containing exquisite information about the project, short artist biography and the lyrics in the booklet. Additionally for some artists we offer different merchandise offers, e.g. t-shirts, caps, books. We offer same day delivery for Germany if the order was placed until 4 p.m., and 3 day-delivery to other EU countries. For visiting our online shop, please click on the Product Section of the website. Our abroad customers can pay by credit card or via PayPal.

Uli Balß – Founder and THE BOSS

Uli Balss

1. Choose a movie title for the story of your life.
Independent
2. What was your favorite toy as a kid?
 Märklin Eisenbahn
3. How often are you late for work?
Never (nearly – once in ten years)
4. What is the craziest thing you would do for JARO?
Nearly all the the things I do are already crazy. Otherwise the company would not exist.
5. What is your favorite artist?
 Johann Sebastian Bach
6. If you were a vegetable/fruit, what would you choose to be?
 Mango
7. Favorite vacation place
There is not one favorite place, there are many places to go. If I would be young then I would try to climb Mount Everest.

 

Uschi Wurzer – Concert Booker, “The Troubleshooter”

Uschi1. Choose a movie title for the story of your life.
Cool running
2. What was your favorite toy as a kid?
My doll, the only problem was that her head was fixed badly, so once in a while she lost it. But, I wanted no other one. Now she lives somewhere in a box in the basement.
3. How often are you late for work?
Never! It is always the right time to book  JARO concerts.
4. What is the craziest thing you would do for JARO?
I do only crazy things for JARO. To do booking for Jaro artists is crazy… fun!
5. What is your favorite artist?
Oh, this is hard to say, I love Latin music, Salsa, Soul, Pop, World, Jazz, I am very much open. I cannot restrict it to one artist.
On Jaro records it is Hazmat Modine, for booking please contact me +49 421- 78811, uw[at]jaro.de“.
6. If you were a vegetable/fruit, what would you choose to be?
I would be a tomato. Tomatos are all-round. I grow them in my garden and I love to eat them. Hmmm,  tomato sauce with pasta…
7. Favorite vacation place
I love to be everywhere, where are relaxed people, good food, sunshine and great music.
 
 

Jörg Werner – Distribution

Joerg1. Choose a movie title for the story of your life.
Music is my first love!
2. What was your favorite toy as a kid?
Siku cars and plush dog.
 
3. How often are you late for work?
I slip into the working day  and glide out again. So, I never come too late!
4. What is the craziest thing you would do for JARO?
I would get on the stage and sing instead of an artist, in case he/she does not show up for a show.
5. What is your favorite artist?
Frank Zappa and others
6. If you were a vegetable/fruit, what would you choose to be?
I would like to be a turnip. Then I could eat myself!
7. Favorite vacation place
An island in the North Sea, preferably Langeoog.
 

JARO: The First 32 Years

For the record label JARO it all began over 30 years ago with the Finnish band Piirpauke. Back then, the formation around the multi-instrumentalist Sakari Kukko was confronting the music critics in Germany and elsewhere with a number of riddles: Formally a jazz band, Piirpauke also played with rock elements, combining the whole thing with folklore found all over the world. In this context it should be pointed out that, at the time, terms now taken entirely for granted – for example ethno jazz, world music and world jazz – had not yet been invented; back then, people were making cautious use of the term “folk jazz.”

Uli Balss wanted to find a forum for this band and its highly suspenseful sound – both of which were virtually unknown outside Finland. Guided by the principle of “learning by doing,” Balss up and founded the record label JARO, his first production being the Piirpauke LP (we’re still talking vinyl here!) “Live in der Balver Höhle”.

Uli Balss was no newcomer to the music scene. In the town of Enger near Bielefeld in eastern Westphalia he had been organizing concerts at the local youth club since the early seventies, then going on to found the music club “Forum Enger” and organize two jazz festivals. In the process, he established contact to musicians from all over the world. Already in 1977, these activities led Uli Balss to found a concert agency which organized John Scofield’s first European tours and introduced the fascinating qawwali singer Nusrath Fateh Ali Khan to the Continent, while also initiating the East German jazz musician Ernst-Ludwig Petrowsky’s first performances in Western Germany.

With the founding of the label and publishing company in 1981, the operation referred to today as JARO Medien GmbH took its final shape. Originally located in Enger, it has been at home in Bremen for more than twenty years. Today JARO is a CD label, music publisher, concert agency and distributor in one. In other words, JARO offers musicians an all-around service. Back in 1981, it was that aim that motivated Uli Balss to embark upon the venture of an independent label and publishing company.

Focus on Eastern Europe

From the beginning, Uli Balss and JARO devoted their efforts intensively to the music of Eastern Europe. Let it be recalled that, at the time, the Warsaw Pact was still in effect, and communication with the countries behind the Iron Curtain was accordingly complicated. The first contacts had already been established in 1977 to the Hungarian bandleader and drummer Imre Köszegi and the Polish band Crash. They were followed by the Bulgarian women’s choir Bulgarian Voices Angelite, which was to become world-famous, and the Moscow Art Trio, a veritable symbol of the highly individual jazz style of Russia. The Georgian Hamlet Gonashvili, who was to die a tragically premature death, was as much a JARO musician as the Farlanders or the Moldavian formation Trigon. More recently, the Polish Warsaw Village Band has entered into collaboration with JARO, and in the autumn of 2006 the label will release an album by the Georgian band The Shin. Good familiarity with the various Eastern European music milieus have led to JARO’s organizing concert tours in Russia and being called in to serve as a consultant to Polish television in the context of its festival in Sopot.

Focus on Vocal Music 

Huun-Huur-Tu can also be considered among the groups JARO discovered in the East, though in this case it was the Far East: These overtone singers come from the former Soviet republic of Tuva, near Mongolia. At the same time, Huun-Huur-Tu stand for another major JARO focus, namely its great interest in unusual vocal projects. The latter are subsumed in our series V=Voice, which was founded in 1995. Further examples are the Portuguese Fado singer Dona Rosa, the German a-cappella formation Aquabella and the vocal ensembles Trinovox and Tam’Echo’Tam.

In many respects, the ensemble Sarband likewise belongs to this vocal music category. On a wide range of CDs, the group explores the relationships between Orient and Occident, Islamic, Sephardic and Christian music, thus providing listeners a means of access to the early music of the Middle Ages.

The Warsaw Village Band takes a somewhat different approach to tradition and old vocal techniques, making use of the so-called white voice of Poland. The members of the WVB experiment with their roots, creating an entirely new field of tension between tradition and modernity in the process. They play music that appeals to young people and have been met with enthusiasm by audiences from America to Japan. In the U.S. the sounds they produce are referred to as New Folk. The band members themselves prefer to emphasize the trance-like quality of their music.

What is more, JARO has frequently initiated crossover contacts. Mikhail Alperin, for example, the Moscow Art Trio’s pianist, collaborated first with the Bulgarian Voices Angelite on an album, and later went on to direct a complex production with his Moscow Art Trio, the Bulgarian Voices Angelite and the overtone singers of Huun-Huur-Tu.

Confidence in Continuity

JARO has a high regard for lasting relationships, and has worked with such artists as the Dutch jazz pianist Jasper van’t Hof, the Uruguayan bandoneonist Luis Di Matteo and the choir Bulgarian Voices Angelite for more as twenty years. To an extent, this approach makes it more difficult for us to maintain our presence in the media, since the constant search for new names has already long dominated radio, television and the press.

In the course of the years, we have succeeded in providing the bandoneon virtuoso Luis Di Matteo of Uruguay the opportunity to explore the widely diverse aspects of Tango and Tango Nuevo on various CDs, from the quiet solo album to Di Matteo’s symphonic compositions, which he carried to realization with the Ulyanovsk Chamber Orchestra of Russia.

As in the case of Astor Piazzolla’s Uruguayan counterpart Luis Di Matteo, it was also in the early years of its existence that JARO discovered the enigmatic power and captivating effect of the archaic and strangely fascinating Bulgarian vocal style and published recordings by the Bulgarian Voices Angelite, thus helping the women’s choir towards world fame.

Jasper van’t Hof virtually constitutes a category of his own, since JARO produced his well-known ethno-jazz dance band Pili Pili from the very beginning, while also granting him the opportunity to make a quiet but complex solo piano album and supporting him on his latest undertaking, the fusion band Hotlips. What is more, we are presently lending Jasper van’t Hof an open ear for his collaboration with the jazz DJ, singer and “street poet” Charles Petersohn (another JARO artist).

Memorabilia

The albums “Oh! That Cello” and “Charlie Chaplin” can certainly be included among the memorable publications brought out by JARO in the twenty-five years of its history. Here the cellist Thomas Beckmann plays compositions by Charlie Chaplin: At a time when few people knew that the great actor and comedian had even composed and, what is more, was a cellist of no little ambition, JARO put a feather in its cap by making his music accessible to listeners everywhere.

The JARO programme naturally also includes a number of audiophilistic and bibliophilistic rarities (including some that are worthy of both adjectives). The recordings by the French cult band Magma can definitely be regarded an audiophilistic treasure. Another is the renewed publication of Joachim Ernst Berendt’s legendary “Choirs of the World” collection under the title “Voices! Voices” (3 CDs). And any musically minded book-lover’s heart is certain to skip a beat at the sight and sound of Erik Satie’s “Sport and Pleasure” with the pianist Johannes Cernota.

In 2002, with the aid of JARO, the Warsaw Village Band of Poland presented its CD “People’s Spring” in Western Europe for the first time. Since then, the sextet’s career has been on a steep upward climb. To date, JARO has published four CDs by the WVB.
Another new JARO ensemble is The Immigrant Orchestra, directed by the multi-instrumentalist and world music researcher Willy Schwarz, a native of the U.S. who now lives in Germany. The orchestra comprises eleven musicians of a wide range of nationalities (three continents are represented!) whose music is informed by a strong cultural-political component. We must learn to understand that the music of foreign cultures is something that enriches us – and not a bearer of fear and uncertainty.
A CD with the Georgian band The Shin is also released. The group consists of ten musicians and focuses on the rich musical culture of its native country, particularly the traditional song of Georgia.

One of the finest productions we ever released is “An Arabian Passion” by the ensemble SARBAND.

The New Bands 

From 2007 onwards JARO established HAZMAT MODINE in Europe, more than 200 concerts all over the continent brought them best reviews. Their music shows influences from Jazz, Blues, Cajon and world music.

With the Portguese Oquestrada followed another discovery in 2010. They performed major German late night TV show, more than 30 European important festivals in the summer season 2011.

… and the JARO team is still hungry to discover next acts. The latest example is the Polish born actress ALDONA with her fall 2011 release “Sonnet” and for the beginning of 2012 the next US band from New York RED BARAAT, an Indian/American brass band; but in the end we host as well artists we have a comon history as Jasper van´t Hofs Pili Pili or Dona Rosa with their new CDs.In 2013, a new interesting artist from China was signed at JARO. Thus, we are happy to present: DawangGang.